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21 years after the destruction of the Death Star II in Star Wars Episode VI: Return of the Jedi, the New Republic (free and democratic successor of the corrupt and authoritarian Empire) faces a new and fearsome threat - invasion of a species alien to the galaxy. Set in the Star Wars Expanded Universe, The New Jedi Order is a series of 27 books detailing this crisis and the events that unfold after the invasion.

After the collapse of the Empire with the death of Emperor Palpatine and the destruction of the Death Star II, the New Republic was born. This democratic and free society of planetary systems was headed by the heroes of the Rebel Alliance, like Leia Organa. Luke Skywalker then strived to rebuild the Jedi Order, basing a temple on the moon of planet Yavin. After years of hard work, the New Republic prospered and enjoyed peace, safeguarded by the growing ranks of new Jedi Knights. However, this peace was shattered with the discovery of a sudden invasion of this galaxy by an alien warrior race from another galaxy called the Yuuzhan Vong.

This was the first adversity that called upon the new order of Jedi Knights, however, during the first few waves of skirmishes the Jedi Knights were slaughtered. It soon dawned that the Yuuzhan Vong was devoid of the 'Force', an energy field that binds all living organisms in the galaxy, a source of the Jedi Knights' power. The Yuuzhan Vong were formidable foes - their entire society is made up of numerous warrior clans and they see death in battle as honour to their clans. Planet after planet fell to the onslaught, with populations wiped out. Heroes from the old Rebel Alliance like Han Solo, Chewbacca and Wedge Antilles took to arms again and seek to repel the attacks. New heroes were introduced, namely Anakin, Jacen and Jaina Solo (the children of Leia and Han); and Ganner Rhysode, a Jedi Knight.

During the course of the stories, several key characters were killed in battle. Chewbacca, a prolific character from the original six episodes and Han Solo's loyal companion, was killed in battle early in the stages of the invasion. Anakin Solo was also killed in combat; he single-handedly fought off thousands of Yuuzhan Vong warriors to aid the escape of his siblings and friends, and was later consumed by the Force. Ganner Rhysode also martyred himself in battle, holding back wave after wave of enemies to allow the captured Jacen Solo to flee.

This New Jedi Order series of novels was eagerly anticipated by Star Wars fans as it continued the Star Wars saga after the original sexology of movies. Fans gleefully waited to see how the newly-rebuilt Jedi Order would withstand against malicious threats like the Yuuzhan Vong. Each of the books features one, if not numerous, epic battle scenes. You can expect large scale battles for planetary control between the two warring factions - expect starfighter battles, Jedi melee combat and even ground assaults. The battle scenes are described to the usual fantastic Star Wars detail and never fail to leave Star Wars fans like myself craving for more. In particular, the scene which Anakin Solo martyred himself was outstanding.

Despite the abruptness of an out-of-the-blue invasion of an alien species, the plot was intriguing. The Yuuzhan Vong made use various methods of subversion, espionage and brute military might to cripple the New Republic. I respect the authors for taking the time to brainstorm, coming up with such intricate and meticulous details. War was not fought only on the military front with issues like internal conflict and unrest, and this gave a realistic feel of warfare in the series. Towards the end of the series, the novels left me with very uplifting spirits, seeing how the Jedi Knights and other heroes bonded and worked together to repel the threat of the Yuuzhan Vong.

It was a huge pity that key characters of the Star Wars franchise had to die, but still, this added to the 'dark' nature of The New Jedi Order series and this is the very fact that makes this series of novels a very compelling read.

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P.S. I Love You is a book that has drawn a variety of comments. This debut novel by Cecelia Ahern has won over many sentimental readers, drawing rave reviews; it has also drawn flak from critics who think that her work is amateurish.

The story revolves around a couple Holly and Gerry living in Ireland. They lead a happily married life and were madly in love with each other, treasuring each other's companionship. They always joked that Holly would not be able to cope if Gerry departed first, Holly being so dependent on Gerry. The solution was to come up with a 'List' of instructions to teach Holly what exactly to do in the event of that. However, neither of them expected to part so prematurely, when Gerry was diagnosed with brain cancer and shortly passed on.

In the months that followed Gerry's demise, Holly became self-absorbed, brooding at home. She became a depressed wreck, unable to cope with the massive loss of her beloved spouse. Despite her family's and friends' best attempts to console and cheer her up, she remained despondent. It is at this juncture that Holly's mother mentions to her about a parcel addressed to Holly with the word 'List' on it. Reluctantly, Holly agrees to take a look at the parcel and finds a letter from Gerry together with 10 sets of envelopes. It dawned onto her that Gerry, acutely aware of his impending demise, forced himself to pen a whole series of written instructions for her, to help her cope with his departure.

Each of the 10 envelopes is to be opened on the first day of every month, and each letter tasks Holly to do something to help her regain her confidence and step out of the shadow of the tragedy. The types of tasks range from amusing to quirky to touching - Gerry instructs Holly to go on a much-needed vacation with her buddies, to buy a new dress for herself and start dolling up and so on. Holly follows the instructions to the letter, as a form of tribute to her late husband. Where her eccentric family members and best friends failed, Gerry manages to gradually help Holly out of her plight even when death claimed him. Amidst worries that the letters might cause Holly to cling on to the past and exacerbate the situation, Holly actually starts to find her life moving forward and slowly accepts her new lease of life.

This is a romantic tale of loss, hurt and learning to cope with it; it is a very heartwarming story. On one side, we can see how deeply Gerry cared for and understand Holly that he could predict what would happen to her in the event of his death. He forced himself through the draining task of writing the whole set of letters just to make sure that Holly would be alright. Holly is a largely naïve and slightly immature woman, who has a strong bond and dependency on her husband. Reading her struggle to put behind the love they shared and then the love that she lost certainly does pain me at times. Cecelia Ahern does manage to communicate the grief felt by Holly and the reluctance to let go of something so dear.

Critics found Cecelia Ahern's style of writing amateurish, that she does not have sufficient experience to write about something as drastic and somber as death and rehabilitation of grief. I felt that this novel was conflicting as Cecelia Ahern seemed to be using light-hearted language and style which was not appropriate at times, especially during Gerry's death. However, this does not fault the creativity in coming up with such a remarkable plot and storyline. It is a very captivating read; Cecelia Ahern makes you want to continue reading to find out what happens next in Holly's rehabilitation process. At times, the story is absolutely heart-wrenching and embarrassed as I am to say this, but it is difficult to remain dry-eyed after this read.

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American Idol has already spawned so many Idols and created so many seasons. Yet the only Idol that we can fairly call a 'success' is the first American Idol Kelly Clarkson. Winners of the following seasons have faded into oblivion after one or two singles, including the likes of Ruben Studdard. It seems that the trend is showing us that Idol participants who do not go on to win are able to perform to greater success in their careers. Clay Aiken was one, and now Chris Daughtry is proving to be another post-Idol success story.

Being ousted from the semi-finals in the fifth season of American Idol did not stop Chris Daughtry from being hastily signed by RCA Records and 19 Entertainment. He eventually teamed up with his former band, humbly named 'Daughtry', to record a debut rock band album. This debut self-titled album 'Daughtry' recorded phenomenal success within weeks of release in November 2006. In the space of 5 weeks, the album sold 1 million copies and made it to #1 on the Billboard charts on its ninth week. This was the fastest selling album by an American Idol contestant since Kelly Clarkson's 'Thankful'.

Daughtry's distinctively gruff vocals are a perfect front for his band's pop-rock tunes. His throaty, mellow voice however has a surprisingly large vocal range. In songs like 'Over You' we can hear him belting out and maintaining high pitches without much problem. Daughtry's very first single, titled 'It's Not Over', is a remarkable rock track that is catchy yet not preppy. The tune is catchy and it does resemble a decent authentic rock song, unlike most of Simple Plan's songs despite their claims. Although reminiscent of Nickelback, many of Daughtry's songs are mainstream-oriented and are inclined more towards pop-rock than Nickelback's brand of emo-rock. Rock ballads such as 'It Feels Like Tonight' and 'Breakdown' show off Chris Daughtry's crooning side, starting soft and building up to a all-rock yelling climax, and he does a commendable job for a singer on his debut album, with his popular trademark growl.

Despite the pleasant-sounding tracks, you cannot help but observe that majority of Daughtry's tracks sound similar. There was one instance, after listening to the CD on repeat for an hour or so, that I subconsciously mistook 'Over You' for another track. I felt that Daughtry has built his own style of singing and created a distinctive sound for their music, but each song was not unique on its own. The album felt more or less like the songs were produced with reference to a model, before making subtle changes to each of them.

All in all, this record is still something I would recommend to rock fans. Be sure to listen to 'Over You' and 'Home', two of my favourite tracks. 'Chris Daughtry is a man. Daughtry - like Van Halen and Bon Jovi - is a band.' A band that has proven that it is capable of making some pretty damn good music.

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The British singer with the towering, distinctive beehive hairdo brought home the biggest haul from the recent prestigious Grammy Awards 2008. She matched the record previously set by world-class artistes like Alicia Keys and Norah Jones by winning five Grammy Awards - Song of the Year, Record of the Year, Best New Artist, Best Female Pop Vocal Performance and Best Pop Vocal Album. She is now the only British singer to record as many as five awards in one night.

Amy Jade Winehouse was born in 1983 in London and established her career in the R&B and soul music industry. Her debut album named 'Frank' was released in 2003 in Britain and earned her rave reviews from peers and critics. 'Frank' was nominated for the prestigious Mercury Prize, the annual prize for the best music album in the United Kingdom. Her sophomore album brought about even more stellar results - six Grammy nominations and five wins, a BRIT Award for Best British Female Artist and two Ivor Novello Awards.

'Back To Black' is a delightful mix of soul, jazz and modern 'pop-py' R&B with, more often than not, dark lyrical content. It is an artistic blend of the evergreen '60s retro and modern-day pop engineered to near perfection by Amy Winehouse and producer Mark Rhonson. Her album has drawn much comparison to Lily Allen and Macy Gray; however, Amy Winehouse's sounds appear darker and more mature, as opposed to Lily Allen's hip-hop and reggae-like style. Her smash single 'Rehab' is a cynical insight into her alcoholic and drug addiction and rehabilitation. 'Rehab', I feel, is actually representative of her transition from her debut to sophomore albums - from Frank's jazzy blues ballads to Back To Black's more commercial and preppy feel. Yet, Winehouse manages to retain that retro groove and vintage style.

She is endowed with a husky, mellow voice that manages to bring out fully that distinctive Amy-Winehouse-retro sound. Her powerful vocals create soulful ballads, transforming her own experiences into powerful heart-wrenching statements. Her album is also laden with playful and cheeky tracks like 'Me And Mr Jones' which is full of profanities. This obvious clash of old-school classy vintage retro and brash, modern pop is what appeals to me the most. She manages to incorporate both successfully, giving her modern songs that popular nostalgic theme.

Evidently, 'Back To Black' is intended for mature audiences. Profanities aside, tracks deal with very mature themes. In 'Just Friends', she croons about trying to break off from an illicit relationship and part of it goes '...the guilt will kill you, if she don't first...' The soulful fusion of Mariah Carey-crooning, Alicia Keys-R&B and Aretha Franklin-retro will guarantee great songs. This album will definitely yank at your heartstrings with the borderline-seductive 'Just Friends' or the somber 'Love Is A Losing Game' coupled with Winehouse's naturally-bleak vocals. This album was rated by her fellow artistes to be worthy of five Grammy Awards. This fact by itself already speaks volumes about the quality of her work.

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The name "Simple Plan" is almost synonymous with the punk rock genre of music. Formed almost a decade ago in 1999, Simple Plan has had major successes world wide. Releasing "No Pads, No Helmets...Just Balls" back in 2002 and then "Still not getting any..." in 2004. Both albums achieved double and single platinum in the United States respectively as well as quadruple platinum in Canada. Just recently (a week ago as a matter of fact), they released their 3rd studio album, simply titled "Simple Plan" (no pun intended).

However, the standard of this album falls far behind that of the other 2 albums in my opinion. The most popular song in this album, Your Love is a Lie, as well as I Can Wait Forever remind me of the boy bands of the 1990s (ala Backstreet Boys/Westlife), especially the chorus. Not to mention Take My Hand sounds like an oddly "cheerful" song (S Club 7?) and The End is practically indistinguishable from all the other punk rock songs (Yellowcard, Good Charlotte... take your pick) as do Generation and Time to Say Goodbye (both sound like Bowling for Soup, and the latter is just irritating me by repeating the song title over and over again in the song itself). Save You almost sounds like a boy band singing along to rock music in the background (ie. completely weird).

The only songs in the album which I can bring myself to remotely like are When I'm Gone, Holding On, No Love and What If (ironically the first song and the last 3 songs). Yet, even then, there isn't anything completely unique about these songs that sets them apart from all the other punk rock songs out there, including Simple Plan's own songs from previous albums. In my opinion, the music found in Simple Plan (I'm referring to the album here) simply hasn't evolved much over the years.

In fact, I loved Simple Plan's debut album No Pads, No Helmets...Just Balls and Still Not Getting Any... When it comes to the punk rock genre, I've always enjoyed their songs, unfortunately, I can't say the same thing about this new self-titled album of theirs. Honestly, these type of songs were fresh when they first appeared a few years back in their earlier albums, but it's time they injected something new into their songs. I don't know what that secret ingredient is, all I know is that it's missing from this album.

All in all, I expected better from a band of this standard and am pretty disappointed by this album (I'm not alone). Simple Plan's plan for this album was perhaps a little too simple (pun intended this time).

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