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The British singer with the towering, distinctive beehive hairdo brought home the biggest haul from the recent prestigious Grammy Awards 2008. She matched the record previously set by world-class artistes like Alicia Keys and Norah Jones by winning five Grammy Awards - Song of the Year, Record of the Year, Best New Artist, Best Female Pop Vocal Performance and Best Pop Vocal Album. She is now the only British singer to record as many as five awards in one night.

Amy Jade Winehouse was born in 1983 in London and established her career in the R&B and soul music industry. Her debut album named ‘Frank’ was released in 2003 in Britain and earned her rave reviews from peers and critics. ‘Frank’ was nominated for the prestigious Mercury Prize, the annual prize for the best music album in the United Kingdom. Her sophomore album brought about even more stellar results - six Grammy nominations and five wins, a BRIT Award for Best British Female Artist and two Ivor Novello Awards.

‘Back To Black‘ is a delightful mix of soul, jazz and modern ‘pop-py’ R&B with, more often than not, dark lyrical content. It is an artistic blend of the evergreen ’60s retro and modern-day pop engineered to near perfection by Amy Winehouse and producer Mark Rhonson. Her album has drawn much comparison to Lily Allen and Macy Gray; however, Amy Winehouse’s sounds appear darker and more mature, as opposed to Lily Allen’s hip-hop and reggae-like style. Her smash single ‘Rehab’ is a cynical insight into her alcoholic and drug addiction and rehabilitation. ‘Rehab’, I feel, is actually representative of her transition from her debut to sophomore albums - from Frank’s jazzy blues ballads to Back To Black’s more commercial and preppy feel. Yet, Winehouse manages to retain that retro groove and vintage style.

She is endowed with a husky, mellow voice that manages to bring out fully that distinctive Amy-Winehouse-retro sound. Her powerful vocals create soulful ballads, transforming her own experiences into powerful heart-wrenching statements. Her album is also laden with playful and cheeky tracks like ‘Me And Mr Jones’ which is full of profanities. This obvious clash of old-school classy vintage retro and brash, modern pop is what appeals to me the most. She manages to incorporate both successfully, giving her modern songs that popular nostalgic theme.

Evidently, ‘Back To Black‘ is intended for mature audiences. Profanities aside, tracks deal with very mature themes. In ‘Just Friends’, she croons about trying to break off from an illicit relationship and part of it goes ‘…the guilt will kill you, if she don’t first…’ The soulful fusion of Mariah Carey-crooning, Alicia Keys-R&B and Aretha Franklin-retro will guarantee great songs. This album will definitely yank at your heartstrings with the borderline-seductive ‘Just Friends’ or the somber ‘Love Is A Losing Game’ coupled with Winehouse’s naturally-bleak vocals. This album was rated by her fellow artistes to be worthy of five Grammy Awards. This fact by itself already speaks volumes about the quality of her work.

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(1 votes, average: 4 out of 5)
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The name “Simple Plan” is almost synonymous with the punk rock genre of music. Formed almost a decade ago in 1999, Simple Plan has had major successes world wide. Releasing “No Pads, No Helmets…Just Balls” back in 2002 and then “Still not getting any…” in 2004. Both albums achieved double and single platinum in the United States respectively as well as quadruple platinum in Canada. Just recently (a week ago as a matter of fact), they released their 3rd studio album, simply titled “Simple Plan” (no pun intended).

However, the standard of this album falls far behind that of the other 2 albums in my opinion. The most popular song in this album, Your Love is a Lie, as well as I Can Wait Forever remind me of the boy bands of the 1990s (ala Backstreet Boys/Westlife), especially the chorus. Not to mention Take My Hand sounds like an oddly “cheerful” song (S Club 7?) and The End is practically indistinguishable from all the other punk rock songs (Yellowcard, Good Charlotte… take your pick) as do Generation and Time to Say Goodbye (both sound like Bowling for Soup, and the latter is just irritating me by repeating the song title over and over again in the song itself). Save You almost sounds like a boy band singing along to rock music in the background (ie. completely weird).

The only songs in the album which I can bring myself to remotely like are When I’m Gone, Holding On, No Love and What If (ironically the first song and the last 3 songs). Yet, even then, there isn’t anything completely unique about these songs that sets them apart from all the other punk rock songs out there, including Simple Plan’s own songs from previous albums. In my opinion, the music found in Simple Plan (I’m referring to the album here) simply hasn’t evolved much over the years.

In fact, I loved Simple Plan’s debut album No Pads, No Helmets…Just Balls and Still Not Getting Any… When it comes to the punk rock genre, I’ve always enjoyed their songs, unfortunately, I can’t say the same thing about this new self-titled album of theirs. Honestly, these type of songs were fresh when they first appeared a few years back in their earlier albums, but it’s time they injected something new into their songs. I don’t know what that secret ingredient is, all I know is that it’s missing from this album.

All in all, I expected better from a band of this standard and am pretty disappointed by this album (I’m not alone). Simple Plan’s plan for this album was perhaps a little too simple (pun intended this time).

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(8 votes, average: 4.13 out of 5)
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Marie who? I am willing to wager a good portion of my savings that majority of readers have not heard of Marié Digby. She’s a singer living in Los Angeles, California. What makes her stand out from the whole wave of pop singers is that she plies her trade in the online world, in communities such as MySpace and YouTube.

Marie Digby is a country/pop/soft rock singer who shot to stardom after she posted homemade videos of her singing on the popular video-sharing website YouTube. Singing acoustic versions of mainstream pop songs like Rihanna’s ‘Umbrella’ to the soulful ‘You Give Me Something’ by James Morrison to even rock tunes like ‘What I’ve Done’ by Linkin Park, she garnered near-overnight fame. Legions of fans and admirers left many favourable comments and encouragement and also brought about many hits on her MySpace page.

This highly-versatile singer could be seen playing instruments like the acoustic guitar as well as the piano, belting out beautiful cover versions of popular songs. By far, her most popular video was that of her strumming her guitar, singing a cover of ‘Umbrella’ (as attached). This YouTube video attracted 2.4 million views up till the end of 2007.

According to Marie, this was a desperate attempt on her own part to gain some much-needed publicity for her fledgling music career. The record label that she signed for in 2005, Hollywood Records, did not manage to provide her the visibility that she wanted. Fortunately her persistence paid off and shortly, Hollywood Records released a high-quality studio recording of ‘Umbrella’ onto iTunes and other online stores. She also was invited to perform live on ‘Last Call with Carson Daly’ in August 2007, and is now currently on tour, performing at various locations in the United States, much to the delight of her online fans.

A big break for her followed, when her ‘Umbrella’ was played on radio and subsequently featured in an episode of the MTV serial ‘The Hills’. Eventually, her songs were chosen to feature on popular serials like ‘Smallville’ and her self-composed single ‘Say It Again’ was released to American radio stations earlier this year.

The brand of soulful music that Marie Digby delivers can be easily identified with. The melodious crooning of her takes on modern pop songs are a refreshing sight and a joy to hear. It is a welcome and delightful change to the sleaze and glitzy glamour of MTV - it offers a very stripped down insight into a musician’s world. What really impressed me, aside from her excellent vocal ability, was that she was a perfect role model of a musician. She separated herself from the sensationalism and glam, using solely her songwriting and singing skills to impress. Her videos are in sharp contrast with typical MTV music videos. Visit Marie Digby’s MySpace page for snippets of all her songs, do leave a comment of appreciation for a commendable singer/songwriter who focuses on music more than the hype that it brings.

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When you’re talking about a legend in the media industry you’re talking stars that never fail to provide the headlines for many popular tabloid magazines, gossip websites and of course, global newspapers. But when you’re talking about legends in the music industry, that would be the fallen queen, Miss Britney Spears. Ever since she and childhood/long-time beau, Justin Timberlake went on with their decisions to go their separate ways, her life went on a downhill bringing down her multi-billion career down with it. It was obvious she didn’t take the break-up too well considering the hasty marriage to childhood friend Jason Alexander which lasted less then 55 hours. Being one of the most biggest-selling female stars in music history, she has been trying to redefine her image from that of innocent teen idol to raunchy sex icon. Her fourth album, In the Zone which was released in November wasn’t well received by media critics but it did however, hit the top of the Billboard 200 album chart. It wasn’t surprising because the singer has sold more than 54 million albums around the world.

Blackout, is her fifth album in total and first album after she decided to take a long career break after her marriage to Kevin Federline of which she had two sons, Sean Preston (2005) & Jayden James (2006). Officially scheduled to be released in November 2007, the album released date was pushed up to October 2007 due to a number of leaked album tracks that were circulating the Internet rapidly. According to the company’s record label it was an attempt to stop song piracy and of course to ensure the success of the lead single. The current awards that the album has received to date are the Billboard Readers’ Choice Album of The Year and holding third place in the Album of The Year category in Virgin Media Music Awards 2007.

Critics have been rather harsh on the album after the disastrous performance at the Video Music Awards (VMAs) earlier on before her album release in 2007. Billboard stated “This is still pop, but the last bits of Spears’ song-and-dance girl veneer are cracking, along with the rest of her public persona.” Newsday titled its review “Save your money” and labeled the album “terrible”. Critic Jim Farber wrote that “If a blow-up sex doll could sing, this is what she’d sound like.” The New York Times panned it calling the album “The electronic beats and bass lines are as thick as Ms. Spears’s voice is thin, and as the album title suggests, the general mood is bracingly unapologetic.” There were many comments about the lack of solid quality vocal elements in the tracks in Blackout. Most critics also said that a majority of the tracks had an overwhelming overdo of studio vocal editing in her voice making her sound annoyingly robot like.

Despite being bombarded by slicing reviews, there have been rather positive says on the album. As reviewed by Digital Spy, “the most danceable, modern and thrilling album that Spears has ever made, the disc where she finally shakes off the last remnants of her Mickey Mouse Club image”. Rolling Stone also went on to give the album three and a half stars out of five and joked that Spears will “continue to crank the best pop booty jams until a social worker cuts off her supply of hits”. This album was ranked at number fifty by Rolling Stone in its annual publication of top 50 albums of 2007.

Personally, I thought that she could have done a lot better to make a real comeback to the music industry. This album spells party, club and dance. The beat of certain tracks are appealing to dance such as her hit single, “Gimme More” and the other one, “Piece of Me”. Basically 90% of the songs in there have playful hints on sexually contents like, “Get Naked (I’ve Got A Plan)”. You wouldn’t call this a very vocal album, thanks to all the background beats and overups, so don’t be too hopeful if you’re expecting something like her third or fourth album. Overall I think she’s trying too hard to be sexy and ends up sounding quite constipated in some tracks but if you’re a Spears kinda person, in for the bass and the beat, I’d say go for it.

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(3 votes, average: 4.33 out of 5)
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With the Harry Potter series at its end with the 7th book finally being published this year, I took some time to search for other books with roughly the same genre, teen fantasy. Through a friend, I stumbled upon the Artemis Fowl series, written by the Irish author Eoin Colfer which began in 2001. This series has been ongoing with roughly 5 books, with the last one projected to emerge in 2008. Although it lacked publicity compared to the Harry Potter series, it still made up by becoming quite successful, receiving a favourable response.

The setting is relatively simple to understand and intriguing at the same time. Artemis Fowl II is a child prodigy, a genius, at 12 years old, he has an IQ debatably one of the highest in the world. He is the sole heir to the affluent Fowl family line, a long line of infamous Irish criminals who reside in their traditional Fowl Manor. Accompanying him are his personal bodyguards and servants, Juliet and Butler.

The story begins with Artemis brooding over his family’s recent misfortune. His father, Artemis Fowl I was recently lost in the Arctic during a business transaction, driving his mother to insanity due to his absence. Normally, a 12-year-old kid might be stunned with not knowing what’s next to do, but not Artemis. Immediately, this classical “evil genius” tries to hatch a plot to reinstate the Fowl name as the wealthy family they were once were, by amassing another fortune, illegally. This leads to the main plot of the first stolen gold from fairies.

The stereotypical image of fairies are little “pixies”, small hand sized humanoids who fly around with their wings, accompanied by the Irish myths of leprechauns with their magical pots of gold. However, in Artemis Fowl, Eoin Colfer not only utilises this myth thoroughly, but pushes it beyond our wildest imaginations. In the story, fairies are a large colony of humanoids including pixies, dwarves, goblins, the usual mythical group. Centuries ago, they had war with us (humans) and after being defeated, they fled underground where they stayed hidden for centuries using their superior technology and fairy magic.

Artemis, through someway was able to come to the knowledge of their existence, and knowing their secret, plans to steal gold from them to help reinstate his family’s wealth. What we are given in the end is an interesting plot full of mythical twists and turns as we see this boy, not even a teenager, attempt to outwit the other races based on his cunning plans. Artemis, in this way, plays a lovable “evil genius”, whose plots for personal power and greed against the fairies form the basic plot line of the series.

As with the Harry Potter series, one thing I noticed was that as the series progressed, the themes of the books become more and more mature. Having read the entire series, I can safely say that the unique setting would draw the interests of both the young and old into the very possible scenario that we are not the smartest beings on this planet. I personally recommend getting hooked onto the series, which has its last book coming out some time in 2008, in addition to a movie in the works.

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