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Jazz has been experiencing a revival lately. Numerous artists are responsible, but none so much as Michael Bublé. The name is likely to be known even among those who do not ordinarily listen to jazz. Bublé’s pop-jazz renditions of the classic standards has reintroduced famous jazz pieces back into the mainstream, and some even bigger than they were back when they first came out.

Call Me Irresponsible (2007) sees a continuation of Michael Bublé’s contemporary renditions of jazz classics. Generally, the album is an excellent demonstration of what makes Bublé so popular. The opening track, a cover of Frank Sinatra’s famous “The Best Is Yet to Come”, is tastefully performed; Bublé’s vocal dynamics, ranging from the soulful opening to the jubilant ending, are skilfully executed. It is evident from the title track - made famous by Frank Sinatra, as well - why Bublé is so popular today: Bublé’s smooth, sultry vocals in “Call Me Irresponsible” with its playful lilts portray the bad-boy persona of the song with finesse, but the upbeat and well-structured instrumentation accompanying him ensures that a young audience which grew up on the likes of Backstreet Boys and Britney Spears are not lost on complex rhythmic changes or lengthy improvised solos. Bublé’s light-hearted rendition of “I’ve Got the World On a String” has got just the right swing feel, and is bound to make anyone happy.

The album, however, is not just about upbeat music. Many of the tracks prove that Michael Bublé is a master at sentimental music too. The more pensive and soulful tracks such as “Me and Mrs Jones” and “Always On My Mind” display an expressive and emotional side to Bublé that is seldom heard in his earlier albums. “Me and Mrs Jones” is movingly rendered; Bublé’s vocals brim with emotions, and show that he has grasped very well the inner turmoil of the song’s persona who is involved in a relationship with a married woman.

“Call Me Irresponsible”, unlike many of Michael Bublé’s previous albums, does not contain solely of covers. There are two original songs in the album, “Everything” and “Lost”, both of which Bublé himself had a part in writing. “Everything”, in my opinion, is the better of the two because its feel-good melody and admittedly sweet lyrics are far more memorable and captivating. That is, of course, not to say that “Lost” is bad; in fact, it is well-composed, and has a set of powerfully heartfelt and emotional lyrics.

Towards, the album lapses into quieter and slower music which may or may not be able to hold the attention of an audience accustomed to a fast-paced, hectic life, but that does not mean that the tracks are not worth a listen, of course. The bonus track, a cover of the classic “Love”, is a great song to end the album with not only because it is a familiar tune, but also because Bublé’s haplessly-in-love rendition of the song is captivating to listen to and creates a happy ending to the album’s musical ups and downs. Overall, Call Me Irresponsible (2007) is a testimony to the talent of Michael Bublé and to his pivotal role in bringing jazz back.

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No serious discussion of role-playing video games can possibly exist without any mention of the Final Fantasy series. Virtually no other game series has perpetuated so many consoles and lived such a long life. In its many manifestations, the Final Fantasy series is recognised as fantasy role-playing at its best (table-top classics such as Dungeons & Dragons notwithstanding, of course).

In any case, the Final Fantasy series is everywhere. The most popular instalment of the series, Final Fantasy VII, has even churned out a mini-series of its own. Known as the Compilation of Final Fantasy VII, the mini-series tells the complete story of the characters in the original Final Fantasy VII. This mini-series spans over many different consoles, and Crisis Core is its representation for the Playstation Portable console.

Crisis Core is in my opinion one of the best PSP games I have ever played. For starters, it is the only PSP game I have ever played to completion. In terms of gameplay, it is highly interactive with numerous mini-games and side quests to freshen you up whenever you need some relief from the central plot. The missions, accessible from any Save Point, are an excellent source of items and materia (which are basically orbs that enable your character to use certain skills) that help to make questing much easier. In fact, the missions sometimes provide valuable items that can save you from otherwise highly damaging attacks (hint).

Especially notable in Crisis Core is the rehaul of the combat system. Combat occurs in real-time, unlike in most FF games; the interface during battle is, in fact, especially convenient for real-time battles. The L and R buttons are used to browse between the possible materia and attacks you can use (which are shown as a row of orbs in the bottom-right corner of the screen). This allows quick selection of actions so you can respond immediately to what occurs on the battle-screen. The only issue with the system is the auto-locking target system which makes it difficult to control which enemy to attack. This especially causes problems in boss battles when you are trying to focus on the boss but the system automatically focuses your attack on a minion instead. Still, avoiding this issue is possible and overall, the auto-locking target system proves to be a rather minor problem.

The most major renovation in the battle system is the introduction of the Digital Mind Wave reel, or the DMW. The DMW is a reel that appears in the top-left corner of the battle screen and which churns out random combinations of pictures that you acquire as you progress through the game. The DMW provides certain benefits depending on how the numbers match up; sometimes there is no MP cost for using materia, sometimes you are invincible and cannot be damaged, and sometimes, two images match up at the side and the DMW pops up and fills the entire screen. At this point, if all three reels match, Zack (the character you play) will be able to perform a special attack, depending on what image shows up on all three reels. Occasionally, the reel changes and you get a chance of using a summon. It feels like a pity that you can’t use special attacks at will sometimes, but generally, the DMW makes combat feel a lot more exciting and can even save your life when things seem to be taking a turn for the worse.

In terms of the storyline, Crisis Core thankfully takes on the depth and complexity of most Final Fantasy plots. For those who have played FFVII before, Crisis Core provides a very powerful backstory (and tells you all about a character who barely appears in FFVII and makes a cameo appearance at the end of the Advent Children). For those who have not, the plot is intriguing and intricate enough to stand on its own. Of course, once you’ve finished the game, you can’t help but be fascinated at how the plot continues in the rest of the Compilation of FFVII series. In a way, Crisis Core then also functions as an excellent way to introduce yourself to the series, and to the Final Fantasy meta-series in general. In fact, with the way Crisis Core ends, you can’t help but stop thinking about the story, and finding out more about Final Fantasy VII (if you haven’t already played it) is an irresistible next step. But that, of course, is another story altogether so I shall not spoil it any further.

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